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ic. 


MEDICI     IvACE 


AND    THE 


AKT    OR    rvl  A  K  I  N  G    IT 


Re^.  l'.  S,   Pat.  Off. 


BY 


LOUISE    W.    PORTIER 


'\ 


PKICE 


TEN    CENTS 


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UEtXARY  ol  CMNuntSS' 
I  wo  CoDlu  rtuciiivvx 

APK    20  'lyOB 

JUUjrHMXl  CitU'V 


< 


Copyright  1908,  by  Bernhard  Ulmann  &  Co 


MARIE  DE  MEDICI.  QUEEN  OF  FRANCE. 


(Copyright  1908,  by  Bernhard  Ulmann  &  Co.) 
1 


y 


J!»     » 


^XT    ACE  always  has  been  one  of  the  highest  means  of  expression  for  the  beautiful  and  artistic. 

*•«'      The  splendor  of  design,  the  wealth  of  ingenuity,  the  careful,  painstaking  effort  put  into 

them,  all   contributed   to   place   the  old  classic   laces  among  the  choicest  products  of 

art,  well  worthy  to  be  classed  with  the  best  in  painting,  sculpture,  and  the  other  fine  arts. 

The  art  of  making  laces  first  achieved  a  high  state  of  development  in  the  fifteenth  and  six- 
teenth centuries,  and  in  our  museums  still  may  be  seen  many  specimens  exemplifying  the  perfec- 
tion of  the  art  of  mediaeval  days.  Then  lace  was  a  treasure  possessed  only  by  kings,  princes,  and 
those  of  great  wealth.  Today  the  humblest  person  finds  it  available,  but  the  laces  at  her  command 
are  mostly  machine  made,  imitations  of  and  vastly  inferior  to  the  real  laces,  which,  because  of  the 
immense  cost  and  difficulty  of  their  production,  still  are  beyond  the  purse  of  ordinary  mortals. 

This  cost  and  difficulty  modern  invention  is  continually  endeavoring  to  overcome.  Every 
effort  is  put  forth  to  devise  ways  by  which  the  ambitious  modern  woman  may  duplicate  the  classic 
laces,  like  women  of  old  putting  into  them  her  own  handiwork  and  individual  touch,  but  with  a 
moderate  outlay  of  time  and  money.  The  efforts  have  resulted  in  the  semi-real  laces;  as,  for  in- 
stance, the  Renaissance  or  Battenberg  lace,  which  was  so  universally  popular  for  some  years,  and 
still  continues  in  favor. 

Yet  Battenberg  lace  attempts  only  to  approach  some  of  the  less  perfect  and  attractive  old 
originals,  like  the  Point  de  Milan.  Today  lacemaking  has  advanced  beyond  that  point,  so  that  now 
all  may  make  for  themselves  almost  exact  duplicates  of  some  of  the  finest  laces  in  existence— the 
Venetian  Point,  known  as  Reticella,  Gothic  Point,  and  Punto  Tagliato  Laces. 

This  new  lace  is  called  Medici*  (pronounced  Maydidshee),  after  the  Medici  princes,  the  art 
loving  rulers  of  Florence.  Under  their  patronage  and  in  a  century  when  the  highest  art  of  the  world 
was  developed,  the  original  pieces  of  Medici  lace  were  made.  The  frontispiece,  a  copy  of  a  por- 
trait by  Rubens  of  Marie  de  Medici,  who  later  became  Queen  of  France,  shows  a  collar  in  the  fash- 
ion of  the  day  adorned  with  lace  so  closely  resembling  the  modern  product  that  none  but  a  con- 
noisseur could  discern  the  difference.  The  original  is  composed  entirely  of  the  finest  of  needle- 
work. In  the  modern  production  the  worker  finds  all  the  laborious  part  of  the  task  performed  in 
advance,  and  is  therefore  enabled  to  produce  the  same  beautiful  and  artistic  result  with  the  small- 
est possible  amount  of  effort.  All  that  is  necessary  is  to  tastefully  combine  the  materials  at  hand, 
sewing  them  into  shape.    These  materials  consist  of  the  braids,  motifs,  and  buttons  as  illustrated. 

The    braids     Nos.    3400,  ^^^^^^^^^^^^^    edge   effects,   Nos.  3300,   3301. 

3401,  3402,  3403,  3404,  3409,  3412,  ^^^^Hiil^^^^l    '^^^^'  ^^^  ^^tifs,  Nos.  50  to  59, 

3413,  and  3414,  show  the  button-    529/2    ^^^^^^^^-'«''^^^^^^^|    and  the  crochet  buttons  needed 
hole-stitch   effect  which  forms  ^^^^^^^^I^^^^^^^^H    to  complete  many  of  the  de- 

the  connecting  links  of  the  lace,  ^^^^^^^^^^^^^^^^^|    signs.    What   may   be   accom- 

some  with    and  some  without  ^^^^^^^^^^^^^^^^^|    plished  with  these  materials 

picot  loops.    There  are,  also,  ^^^^^^B^^^l^^^^^^l    ^'^o^'^    t>y   many   beautiful  ex- 

the  broader  bands,  Nos.  3405,    ^29/3    ^^^^^^K"^ '^^^^^^H    amples    in    the    pages    which 

the  m^kllfli^^H    follow. 

*  The  name  Medici  is  registered  with  U.  5.  Pat.  Off.  as  a  Trade  Mark  for  Braids.  Lace  Ornaments,  Stamped  Patterns,  etc. 


(Copyright  1908,  by  Bernhard  Uhnann  &  Co.)' 


330O 


330  1 


Reg.  U.  S.  Pat.  Oa. 


Reg.  U.  S.  Pat.  Oil. 
(Copyright  1908,  by  Bemhard  Ulmann  St  Co.) 
3 


Reg.  U.  S.  Pat.  OH. 


Reg.  U.  S.  Pat.  Off. 

Medici  Lace  Collar,  No.  506/3908,  in  design  and  style 
somewhat  resembling  the  original  Medici  collar;  require- 
ments: 

Braids,  No.  3301.  .  .   3  vds.     Medallions,  No.  SO 73  pes. 

"     3404-...12'"  "  "     S3..  .   42   " 

"     .3406.  .  .   8    "  "  "     56 30    " 

Buttons.  No.  S29/2,  19  pes. 


Reg.  U.  S.  Pat.  Ofl. 
Medici   Lace   Yoke  and   Stock  Collar,  No.  502/3905; 
requirements: 

Braids,  No.  3401 8  vds.     Medallions,  No.  SO 4  pes. 

"     3407 9  '"  "  "     S2 23    " 

Buttons,  No.  529/3,  5  pes.  "  "     54 22   " 

"     59.... 28   " 


Reg.  U.  S.  Pat.  Ofl. 

Medici    Lace   Yoke  and  Stock   Collar,  No.  502/3902; 
requirements: 

Braids,  No.  3408.  .    .7  yds.  Medallions,  No.  51 32  pes. 

"     3407   ..2 J    "  "              "     52. . . .12    " 

"          "     3403.  .  .12    "  "              "56 16    " 

Medallions,  No.  58.   4  pes.  "              "     55.... 23     ' 

"            "     S9.   7    "  "              "     57..    .   6    " 


Reg,  U.  S.  Pat.  Oft. 

Medici  Laces,  with  corners  and  insertions  to  match, 
come  in  great  variety,  with  many  pleasing  effects.  Figure 
No.  512/3919  is  a  handsome  example  of  a  Medici  Lace 
border. 

It  is  obvious  that  from  any  of  them  not  only  lace  by 
the  yard  can  be  made,  but  also  pillow  shams,  bureau  scarfs, 
table  covers,  or  curtains,  of  any  desired  dimensions. 


(Copyright  1908,  by  Bernhard  Ulmann  &  Co.) 
4 


Reg.  U.  S.  Pat.  Off. 

Medici  Lace  Collar  and  Cuff  Set,  No.  503/3903;  require- 
ments: 

Braids,  No.  3301 3 J  yds.  Medallions,  No.  SO 16  pes. 

"     3407...   6    "  "  "     52.... 20    " 

"     3404. .. .   6    "  "  "     53....12     ' 

Buttons   No.  529/3,  16  pes.  "  "     55 20    " 


Reg.  U.  S.  Pat.  Off. 

Medici  Lace  Yoke  and  Stock  Collar,  No.  502/3904;   re 
quirements: 

Braids,  No.  3301 2|  yds.     Medallions,  No.  50 37  pes. 


Reg.  U.  S.  Pat.  Off. 

Medici  Lace  Collar  and  Cuff  Set,  No.  503/3917;  require- 
ments : 

Braids,  No.  3404 12  yds.     Medallions.  No.  51. .  .   28  pes. 

"     3406. ...    5'  "  "  "     54. . ..36     " 

Buttons,  529/3,  11  pes.  "  "     56.... 22     " 

(Copyright  1908.  by 


Medici  Lace  Collar  and  Cuff  Set,  with  tab.  No.  504  3906; 
requirements: 

Braids,  No.  3404 8  yds.     Medallions.  No.  50 25  pes. 

"    .3407... 6i    "  "  "     59.... 29    " 

Butlons,  No.  529/3,  4  pes. 

In  this  pattern  variety  is  secured  with  some  of  the  plain 
stitches  employed  in  Renaissance  and  Battenberg  work, 
and  for  which  the  Battenberg  linen  thread  is  the  most  suit- 
able material. 

Bernhard  Ulmann  l^  Co.) 


Reg.  U.  S.  Pat.  Off. 
Medici    Lace  Collar  and  Cuff  Set,  No.  510/3913;  require- 
ments: 

Braids,  No.  3300.  .  .   IJ  yds.    Medallion.s,  No.  52.  ;  .  .13  pes. 
"     3401, . . .10    "  "  "     57. ...   7     " 

"     3407. . ..   9    "  "  "     58.    ..48     " 

Buttons.  No.  529/ 2,  12  pes. 


Reg.  U.  S.  Pat.  Off. 


No.  514/3922  shows  a  coat  collar  or  bertha  which  ap- 
proaches the  original  lace  closely  enough  to  deceive  a  con- 
noisseur.   The  requirements  for  this  handsome  piece  are : 


Braids,  No.  3409.  . 

..18  yds 

"     3407 . 

..M    '■ 

"     3405.. 

..2\    " 

'•     3410.. 

.31    " 

"     3405.. 

■li   " 

"     3407.. 

■  n  " 

"    3409.. 

..8      " 

Reg.  U.  S.  Pat.  Off. 
No.  515/3923,  is  a  dainty  cap  for  a  baby,  for  which  the 
following  materials  are  needed: 

Braids,  No.  3407 6  yds.     Medallions,  No.  51 24  pes. 

"     3404....   4     "  "  "    56 68     " 

"     3301....   J     "  "  "    50....  3     " 

Buttons,  No.  529/2,  6  pes. 


Medallions,  No.  51.  .  .  .58  pes. 

"     55... 110    " 
Buttons,  No.  529/3....  19    " 
Also  cuffs  to  match ;  requirements : 
Medallions,  No.  SI....  20  pes. 
"     55.... 56    " 

Buttons,  No.  529/3 6    " 

(Copyright  1908  by  Bemhard  Ulmann  &  Co.) 

6 


Reg.  U.  S.  Pat.  01!. 

Medici  Lace  Waist  Decoration,  No.  511/3918;  require- 
ments : 

Braids,  No.  3403 18  yds.     MedaUions,  No.  50 111  pes. 

"     3406 14    "  "  "    51   .    .  31    " 

Buttons,  No.  529/2,  17  pes.  "  "    52.  ...  39    " 

"     529/3,23    "  '  "58....  33    " 

"    59. . .  35    " 
This  pattern  furnishes  an   elaborate  and   elegant  waist 
decoration,  with  large  plastron  effect,  shoulder  bands,  and 
stock  collar  to  match. 


Rc-y.  r.  s.  Pat.  on. 

Many  other  dress  ornaments  are  shown,  which  may  be 
used  freely  and  arranged  in  various  ways,  to  suit  the  taste 
and  the  fancy  of  the  wearer.  As,  for  example,  waist  deco- 
ration, No.  516/3924,  which  requires: 

Braids,  No   3404 10  yds.  Medallions,  No.  54 44  pes. 

"     3407.  ...  2     "  '■  "     55.      .36   " 

"     3410...  4J     "  "  "     52       .14   •' 

Buttons.  No  529/3,  38  pes.  "  '57 42   " 


Reg.  U.  S.  Pat.  Off. 

518/3930  518/3934  518/3937 

Effects  of  this  kind  may  be  elaborated  with  smaller 
motifs,  three  of  which  are  here  shown.  They  may  be  ap- 
plied in  a  great  variety  of  ways,  with  splendid  results. 

(Copyright  1908,  by  Bemhard  Ulmann  &  Co.) 
7 


Reg.  U.  S.  Pat.  Off. 

No.  507/3911  shows  a  summer  hat  made  of  Medici 
Lace,  surely  one  of  the  most  attractive  uses  to  which  it  can 
be  put;  requirements: 

Braids,  No.  3400.  .    .15  yds.  Mc-dallion.s,  No.  SO.  .  .113  pes. 
"    3407.. ..6J     "  "  "     51    .. .20     " 

"     3410    .    .3^     "  •'  "     .52...  .30     ' 

Buttons,  No.  529/3,  11  pes.  "  "     56 55     " 


(Copyright  1908,  by  Bernhard  Ulmann  &  Co.) 
8 


Reg,  U.  S.  Pat.  Off. 
Figure  No.  500/3900,  shows  a  table  centerpiece.     The 
same  pattern  comes  in  a  variety  of  sizes,  from  a  plate  doily 
up  to  a  large  table  centre. 


Reg.  U.  S,  Pat.  Off. 

A  similar  range  of  sizes  is  provided  for  the  square  pat- 
tern No.  501/3901,  in  which  Medici  Lace  surrounds  a  linen 
centre,  richly  ornamented  with  Medici  Medallions,  in  com- 
bination with  English  Embroidery.  The  design  is  also  suit- 
able for  a  bureau  scarf. 


I 


Reg.  U.  S.  Pat.  Off. 

An  all-lace  piece  is  shown  as  Figure  No.  519/3956. 
When  applied  on  scrim  or  guipure  net  it  makes  a  very  at- 
tractive door  panel.     The  requirements  are: 

Braids,  No.  3406 3§  yds.  Medallions,  No.  54. . 

..li    "  "  "     57. 

..  7    "  "  "    S8.. 

..  8  pes.  '•  "     59.. 

. .  4     "  Buttons,  No.  529/3,  10 

(Copyright  iqo8,  by  Bernhari^  Uhnann  &  Co.) 
9 


"     3410. 

"     3403 . 

Medallions,  No.  51 . 

"     52. 


.30  pes. 
.10  " 
.  8     " 

■7     " 


Reg.  U.  S.  Pat.  Off. 

Figure  No.  878  shows  a  Lingerie  Sofa  Pillow  edged  with 
Medici  Lace.  In  addition,  the  linen  centre  is  ornamented 
with  Medici  Lace  Medallions  and  buttonhole  or  Madeira 
Embroidery  similar  to  501/3901,  page  9. 


(Copyright  1908,  by  Bernhard  Ulmann  &  Co.) 

10 


ON   THE   PRECEDING    PAGES  ARE  SHOWN    BUT  A  FEW  OF  THE  PATTERNS  SUPPLIED  FOR  THIS  BEAUTIFUL  LACE. 

MANY  MORE  EXCELLENT  DESIGNS  FOR  MEDICI  LACE  HAVE  BEEN  PREPARED  AND  A  SELECTION 

OF  THEM  REPRODUCED  ON  THIS  AND  THE  PAGES  THAT  FOLLOW. 


Reg.  U.  S.  Pat,  Off. 
Medici  Lace  Door  Panel. 


S19/,^9S0. 

(Copyright  i 


Keg.  u.  o.  Pat.  Off. 
Medici  Lace  Door  Panel. 
t9o8,  by  Bernhard  Ulmann  &  Co.) 
11 


MS2  ";.  -m-  '>  ■ 


Reg.  U.  S.  Pat.  Off. 
Medici  Lace  Stock  and  Ciicmi.sette.     S09/39S7. 


W'^ 


Reg.  U.  S.  Pat.  Off. 
Medici  Lace  Stock  and  Chemi.sette.     509/3958. 


Reg.  U.  S.  Pat.  Off. 
Medici  Lace  Stock  and  Chemisette.     509/3912. 


mms. 


^'^^?^^ 

/?i~- 


WM5ii 


Reg.  U.  S.  Pat.  Off. 
Medici  Lace  Chemisette,  Stock  and  Cuff.s.     S17/39S7. 


/ 


Reg.  U.  S.  Pat.  Off. 
Medici  Lace  Chemisette,  Stock  and  Cuffs.     517/3958. 


(Copyright  1908.  by  Bernhard  Ulmann  &  Co.) 
12 


s^^ 


rf. 


Ms 


Reg.  U.  S.  Pat.  Off. 
Medici  Lace  Chemisette,  Stock  and  Cuff.s.     517/3925. 


Reg.  U.  S.  Pat.  Off. 
Medici  Lace  Waist.     505/3907. 


t^^^<:it 


4: 


Reg.  U.  S.  Pat.  Off. 
Medici  Lace  Bolero.     520/3949. 


wfm 


■'■'  "^*^   %">"*■  "f*^ 


mmmm 


^,"7i' 


Reg.  U.  S.  Pat.  Off. 


Medici  Lace  Three-quarter  Coat.     521/3959. 
(Copyright  1908,  by  Bernhard  Ulmann  &  Co.) 
13 


Reg.  U.  S.  Pat.  Off, 
Medici  Lace  Stock  and  Cuffs.     503/3914. 


Reg.  U.  S.  Pat.  Off. 
Medici  Lace  Turnover  and  Cuffs.     508/3915. 


Reg.  U.  S.  Pat.  Off. 
Medici  Lace  Insertion  and  Corner.     513/3952. 


Reg.  U.  S.  Pat.  Off. 
Medici  Lace  Border  and  Corner.     .'512/3952. 


Reg.  U.  S.  Pat.  Oft'. 
Medici  Lace  Stock  and  Cuffs.     503/3916. 


,y:-\j:?;^XM-p  ajU  ^^-^^r-^r^^^  'in^t  uvr/;pr7R  f 


MITHM 


^  ''/.  ir.T  -'^i.frij 


[L'» 


Reg.  U.  S.  Pat.  Off. 
Medici  Lace  Border  and  Corner.     513/3920. 


w<l 


Reg.  U.  S.  Pat.  Off. 
Medici  Lace  Stock  and  Cuffs.     S03/3917. 


^^k^w^f?^^^' 


Reg.  U.  S.  Pat.  Off. 
Medici  Lace  Insertion  and  Corner.     513/3920. 


Reg.  U.  S.  Pat.  Off. 
Medici  Lace  Turnover  and  Cuffs.     508/3940, 

(Copyright  1908,  by  Bernhard  Ulmann  &  Co.) 
14 


Reg.  U.  S.  Pat.  Off. 
Medici  Lace  Insertion  and  Corner.     S13/.3919. 


Reg.  U.  S.  Pat.  Off. 
Medici  Lace  Hat.     507/3911. 


Reg.  U.  S.  Pat.  Off. 
Medici  Lace  Border  and  Corner.     S12/3951. 


N**i^^' 


\%i 


Reg.  U.  S.  Pat.  Off. 
Medici  Lace  Border  and  Corner.     513/3926. 


Reg.  U.  S.  Pat.  Off. 


■'       ''^^^^ 


Medici  Lace  Border  and  Corner.     512/3927. 


Reg.  U.  S.  Pat.  Off. 
Medici  Lace  Hat.     507/3909. 


Reg.  U.  S.  Pat.  Off. 
Medici  Lace  Insertion  and  Corner.     513/3951. 


Li^.^-:.\ 


Reg.  U.  S.  Pat.  Off. 
Medici  Lace  Insertion  and  Corner.     513/3926. 


«a 


*-.  -A 


(Copyright  1908,  by  Bernhard  ,Ulmann  &  Co.) 
15 


Reg.  U.  S.  Pat.  Off. 
Medici  Lace  Insertion  and  Corner.     513/3927. 


Reg.  U.  S.  Pat.  Off, 

Medici  Lace  Ornament. 
518/3936. 


Reg.  U.  S.  Pat.  Of?. 

Medici  Lace  Ornament. 
518/3928. 


Reg.  U.  S.  Pat.  Off. 

Medici  Lace  Ornament. 
518/39+2. 


Reg.  U.  S.  Pat.  Off. 

Medici  Lace  Ornament. 
518/3929. 


Reg.  U.  S.  Pat.  Off. 

Medici  Lace  Ornament. 
518/3935. 


Reg.  U..  S.  Pat.  OiT. 

Medici  Lace  Ornament. 
519/3945. 


Reg.  U.  S.  Pat.  Oi=E. 

Medici  Lace  Ornament. 
S18/3931. 


■ 



Reg.  U.  S.  Pat.  Off. 

Medici  Lace  Ornament. 
518/3943. 


Reg.  U.  S.  Pat.  Off. 

Medici  Lace  Ornament. 
518/3941. 


Reg.  U.  S.  Pat.  Off. 

Medici  Lace  Ornament. 
518/3944. 


Reg.  U.  S.  Pat.  Off. 

Medici  Lace  Ornament. 
518/3939. 


Reg.  U.  S.  Pat.  Off. 

Medici  Lace  Ornament. 
518/3940. 


Reg.  U.  S.  Pat.  Off. 


Medici  Lace  Ornament. 
S18/3938. 


Medici  Lace  Ornament. 
518/3933. 


>i>> 


l/A 


f''^^S^£^^I<^^ 


Reg.  U.  S.  Pat.  Off. 
Medici  Lace  Ornament.     518/3932. 


(Copyright  1908,  by  Bernfiard  Ulmann  &  Co.) 
16 


"DO  YOUR  OWN  INITIAL  STAMPING." 


BEAR    STAMPING    LETTERS^ 


ONE  SPOOL  OF  INITIALS  ONLY  10  CENTS 

NO  APPARATUS  NEEDED  EXCEPT  A  HOT'  Wi<^ 

fVAe     simpticitif,    convenience     and.     cheapness     tyf  tnis    article    will  appeal  to    eoert^ 
woman    interestea    in    enihroideru    worl{. 

Letters    6elow   show    the    five   sizes    in    which    theif    can    be  procune^^ 


SIZE  11  SIZE  14 


SIZE  18 


TWENTY-FOUR 


SIZE  21 

TWELVE  AND 


SIZE  25 
SIX  LETTERS  PER  SPOOL 


USE   BEAR  LUSTRE   FOR   EMBROIDERING 


-^uixnn  I     ur    v,uriUKtb5i 


0  014   147   171  5  • 


USE  THE  BEAR  BRAND 
EMBROIDERY    COTTONS 


BEAR  LUSTRE 

For  All   Kinds  of 
White  Embroidery 


is  a  thread  of  established  rep- 
utation, known  to  be  the  best. 
It  comes  in  several  thick- 
nesses, from  fine  to  coarse, 
and  produces  the  most  delight- 
ful effects,  excelling  all  others 
in  its  brilliant  lustre,  clear 
white  color,   and   even   thread. 


HELIOS 

EMBROIDERY 

FLOSS 


comes  in  both  white  and  a 
wide  range  of  beautiful  colors. 
It  is  as  glossy  as  the  best 
grade  of  silk,  far  less  expens- 
ive, and  has  exceptional  value 
for  all  kinds  of  needlework 
where  a  fine  thread  is  required. 


ORION 

EMBROIDERY 

FLOSS 


has  a  twisted,  heavy  thread, 
ideally  suited  to  embroidery 
in  bold  effects.  Every  color 
is  represented,  with  the  care- 
fully selected  tones  needed 
for  shaded  embroidery.  Pro- 
duces    results    equal    to    silk. 


BATTENBERG    THREAD 

MADE  OF  THE  PUREST  LINEN  IN  WHITE,  CREAM,  AND  ARABIAN  COLORS 

Suitable  for  all  kinds  of  lace  work — Bat- 
tenberg,  Cluny,  Duchess,  Irish  Crochet 
— and  anything  for  which  a  highly  finished, 
hard,   durable    linen    thread    is    important 

— BATTENBERG    THREAD ^and    Use    No    Other 


Remember  the   Name" 


^'eR4RyoFrn^ 


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